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  • Erica Synths Black Low Pass VCF
    Erica Synths Black Low Pass VCF

    The Erica Synths Black High Pass VCF is an analog Eurorack low-pass VCF filter module for expressing your creativity. Featuring a highly stable 24dB per octave resonance filter roll-off with voltage control over the cutoff and resonance and a unique overdrive circuit that is applied post-filter you now have more control over your signal filtering than ever before. Designed for analog enthusiasts the Erica Synths Black Low Pass VCF allows you to take your sound design to the next level. Creative use of filtering can be applied to single tracks to cut through a dense mix of instruments to be heard loud and clear or even on a full mix to create euphoric build-up and tension.

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  • Size 44.3x37.1x1mm UV IR Cut Visible High Pass Low Pass Filter Glass
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  • Instruo Aradh Low Pass Filter Module (6HP)
    Instruo Aradh Low Pass Filter Module (6HP)

    The Instruo Aradh Low Pass Filter Module (6HP) is an enhanced version of the Instruos low pass filter - Triagh with expanded functionality that takes sound-shaping capabilities to a whole new level. Not just your standard ladder filter Aradh breaks new ground with a range of controls on offer including the ability to self-oscillate using the onboard resonance control. You can also bypass the modules effect using the pre/post switch for added convenience - perfect for auditioning your sound. With its versatile features Aradh stands out as a powerful sound-shaping tool jam-packed with functions and parameters that give you full control of your sound. Building on the design of the Triagh Aradh adds a range of new functions including a VCA with pre/post-filter routing options an envelope follower a comparator gate a strike input with variable decay time and a wide range of user-definable voltage-controlled parameter combinations. Experience Aradhs voltage-controlled resonance pre-gain filter saturation noise gate functionality dynamics processing and envelope follower all in one power-packed machine. Whats more the Aradh only requires 6HP of rack space allowing you to tap into advanced sound-shaping capabilities in this space-saving design.

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  • MoogerFooger Software MF-101S Low Pass Filter
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    The MoogerFooger Software MF-101S Low Pass Filter is a re-invention of the classic modular low-pass filter. Seamlessly blending its rich heritage with modern digital functionality the MF-101S has been augmented with updated functionality including stereo compatibility and CV connectivity to virtually patch multiple plug-in instances together. Painstakingly recreated MF-101S Low Pass Filter captures the warmth and depth of the original hardware featuring an all-analog 4-pole Lowpass Filter and an envelope follower for dynamic sound sculpting. Perfect for thickening synths distorting drums and smoothing abrasive tones. Please Note: This product comes in the form of a digital download code that will be sent to your email for activation.

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  • Dr Scientist Dusk Analog Low Pass Filter
    Dr Scientist Dusk Analog Low Pass Filter

    The best of both worlds. Dr Scientists Dusk Analog Low Pass Filter provides you with a classic analog vibe with the hindsight of 21st century digital technology. The result is a highly versatile pedal designed to speed up your workflow and give you the very best filter modes in a handy compact design. When designing the Analog Low Pass Filter Dr. Scientist wanted the very best in components. At the heart of the pedal lies a pure analog 24dB/Octave low pass filter. This is influenced by the renowned Operational Transconductance Amplifier. The use of old school integrated circuitry empowers you with a premium powerful filtering effect. The digital aspects of the pedal allows to control the Analog Low Pass Filter parameters. Make the sound thats right for you without compromise by adjusting the filter settings tempo MIDI as well as a choice of six LFOS. Push your sonic boundaries to the limits with Dr Scientists Dusk Analog Low Pass Filter.

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  • Wishcolor Low Pass Filter Board Shortwave HF 10 Band Low-pass Filter 1500W 50Ω 1.8-54MHZ Support SSB
    Wishcolor Low Pass Filter Board Shortwave HF 10 Band Low-pass Filter 1500W 50Ω 1.8-54MHZ Support SSB

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  • Wishcolor Low Pass Filter Board Shortwave HF 10 Band Low-pass Filter 1500W 50Ω 1.8-54MHZ Support SSB
    Wishcolor Low Pass Filter Board Shortwave HF 10 Band Low-pass Filter 1500W 50Ω 1.8-54MHZ Support SSB

    Wishcolor Low Pass Filter Board Shortwave HF 10 Band Low-pass Filter 1500W 50Ω 1.8-54MHZ Support SSB

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  • 2Pcs Total Size 44.3x37.1x1mm UV IR Cut Visible High Pass Low Pass Filter Glass
    2Pcs Total Size 44.3x37.1x1mm UV IR Cut Visible High Pass Low Pass Filter Glass

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  • Where should the cutoff frequencies of high-pass, low-pass, and band-pass filters be placed?

    The cutoff frequencies of high-pass filters should be placed above the frequency range of interest, allowing only high frequencies to pass through. For low-pass filters, the cutoff frequencies should be placed below the frequency range of interest, allowing only low frequencies to pass through. In the case of band-pass filters, the cutoff frequencies should be placed within the desired frequency range to allow a specific band of frequencies to pass through while attenuating others.

  • What are bass, treble, and low-pass settings?

    Bass, treble, and low-pass settings are audio equalization controls commonly found on audio devices such as stereos, amplifiers, and headphones. Bass controls adjust the lower frequencies, allowing you to increase or decrease the depth and richness of the sound. Treble controls adjust the higher frequencies, enabling you to enhance or reduce the clarity and brightness of the sound. Low-pass settings are filters that allow frequencies below a certain point to pass through, typically used to control the amount of bass in the audio output.

  • How can I simulate a low-pass and high-pass filter in LTspice?

    To simulate a low-pass filter in LTspice, you can use a resistor-capacitor (RC) circuit where the capacitor is connected in parallel with the load. The cutoff frequency of the filter can be adjusted by changing the values of the resistor and capacitor. For a high-pass filter, you can use an inductor-capacitor (LC) circuit where the inductor is connected in series with the load. Similarly, the cutoff frequency can be adjusted by changing the values of the inductor and capacitor. By simulating these circuits in LTspice and analyzing the frequency response, you can observe how the filters attenuate or pass certain frequencies according to their characteristics.

  • How does the current behave in a high-pass and low-pass filter?

    In a high-pass filter, the current allows high-frequency signals to pass through while attenuating low-frequency signals. This means that the current is stronger for high-frequency signals and weaker for low-frequency signals. In contrast, in a low-pass filter, the current allows low-frequency signals to pass through while attenuating high-frequency signals. Therefore, the current is stronger for low-frequency signals and weaker for high-frequency signals in a low-pass filter.

  • How are a high-pass filter and a low-pass filter connected in series?

    When a high-pass filter and a low-pass filter are connected in series, the output of the high-pass filter is connected to the input of the low-pass filter. This configuration allows only the frequencies above a certain cutoff point to pass through the high-pass filter, and then only the frequencies below a certain cutoff point to pass through the low-pass filter. The result is that the frequencies within the range defined by the two cutoff points are attenuated, while the frequencies outside that range are allowed to pass through relatively unaltered. This series connection of filters is commonly used in audio and signal processing to create a band-pass filter that only allows a specific range of frequencies to pass through.

  • What is a low-pass filter in electrical engineering?

    A low-pass filter is a type of electronic circuit that allows signals with a frequency lower than a certain cutoff frequency to pass through, while attenuating signals with frequencies higher than the cutoff frequency. This type of filter is commonly used to remove high-frequency noise or unwanted signals from a circuit, allowing only the desired low-frequency signals to pass through. Low-pass filters are used in a variety of applications, including audio processing, communication systems, and power supply circuits.

  • Where should the cutoff frequencies of high-pass, low-pass, and bandpass filters be placed?

    The cutoff frequencies of high-pass, low-pass, and bandpass filters should be placed at the frequencies where the filter starts to attenuate the signal. For a high-pass filter, the cutoff frequency is where the filter starts allowing higher frequencies to pass through. For a low-pass filter, the cutoff frequency is where the filter starts allowing lower frequencies to pass through. For a bandpass filter, the cutoff frequencies define the range of frequencies that are allowed to pass through the filter.

  • Why is a low-pass filter an integrator and a high-pass filter a differentiator?

    A low-pass filter is an integrator because it allows low-frequency signals to pass through while attenuating high-frequency signals. This means that the output of a low-pass filter is the accumulation of the input signal over time, which is similar to the mathematical operation of integration. On the other hand, a high-pass filter is a differentiator because it allows high-frequency signals to pass through while attenuating low-frequency signals. This results in the output of a high-pass filter being more sensitive to rapid changes in the input signal, similar to the mathematical operation of differentiation.

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