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Television : Technology and Cultural Form
Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules.Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient.Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'.If the medium really is the message, Williams asks, what is left for us to do or say?Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
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Interactive Digital Television : Technologies and Applications
Presents the developments in the domain of interactive digital television covering both technical and business aspects.This work focuses on analyzing concepts, research issues, and methodological approaches, offering solutions such as systems and prototypes.
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Museums and Interactive Virtual Learning
Museums and Interactive Virtual Learning provides informal educators with practical resources that will help them to build dynamic digital engagement experiences within their own cultural organizations. Presenting vignettes from experienced museum educators and end users, as well as scientific data and practical resources, the book highlights the mutual benefits that Interactive Virtual Learning (IVL) programs offer to the museum and those visiting from a distance.Chapters mirror the step-by-step process of developing reputable IVL programs and emphasize how important it is for cultural organizations to encourage cross-departmental collaboration, if they wish to ensure that their programs align with the overall goals of the organization.Providing a thorough overview of the technologies, budget, marketing and staff requirements, the authors offer a realistic depiction of the work involved in building content for digital engagement.Emphasizing the importance of assessing existing programming, the book shows how institutions can adapt content to fit a virtual format and create inclusive digital engagement opportunities that reach local, national, and international audiences. Museums and Interactive Virtual Learning is an essential guide for professionals who are tasked with interpreting the content of a cultural organization and building lasting digital engagement opportunities.It will be particularly useful to those looking to reach diverse audiences.
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The New Television : Video After Television
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Television Production
Gain the skills you need to succeed in the television industry and master the production process, from shooting and producing, to editing and distribution.This new and updated 17th edition of Television Production offers a thorough and practical guide to professional TV production techniques.Learn how to anticipate and quickly overcome commonly encountered problems in television production as author Jim Owens details each role and process, including the secrets of top-grade camerawork, persuasive lighting techniques, and effective sound treatment, as well as the subtle processes of scenic design, directing, and the art of video editing.Updated throughout, containing a range of new figures and diagrams, the 17th edition of this classic text includes:A discussion of the changing definition of "television" and how new technology alters viewing habits;Interviews with professionals in the industry about the challenges they face during the production process and the advice they would give to those trying to break into the production and television industries;A review of production practices and techniques for VR;A description of the latest cameras and equipment, including LED lighting and remote production;Guidance and techniques for low-budget, DIY-style productions;A comprehensive resource page for instructors, containing slides and testing materials to aid in the learning process can be found at www.routledge.com/cw/owens.
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Television Music
This Routledge Television Guidebook on Television Music provides a comprehensive overview of the engagement between music and television since the inception of network television broadcasting in the United States in the late 1940s.In this book, Norma Coates presents a "how-to" guide, providing examples and case studies of many approaches to making sense of how music functions on television.Music plays many roles on television—it can function as a soundtrack, comment on the narrative, or be part of the narrative itself.Music can be foundational to a genre and industrial structure like music television, or it can be the organizing principle for a type of program such as the televised singing contest.Music can provide content in the form of band or individual performances across a range of television genres.With case studies of popular shows like American Idol and Glee, this Television Guidebook aims to help students explore and understand how music contributes to television style, narrative, genre, and history.
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Rewriting Television
Rewriting Television suggests that it is time for a radical overhaul of television studies.If we don’t want to merely recycle the same old methods, approaches, and tropes for another twenty years, we need to consider major changes in why and how we do our work.This book offers a new model for doing television (or film or media) studies that can be taken up around the world.It synthesizes ideas from production studies, screenwriting studies, and the idea of “writing otherwise” to create a new way of studying television.It presents an entirely original approach to working with practitioner interviews that has never been seen before in film, television, or media studies.It then offers a series of original reflections on form, story, and voice and considers how these reflections could shape future writing in our discipline(s).Ultimately, this is a book of ideas. This book asks “what if?” This book is an opportunity to imagine differently.
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Uncomfortable Television
From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics.Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people.In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed.He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture.In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives.By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television’s role in assimilating viewers into worlds marked by precarity, perversity, and crisis.
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